Evolution of Life On Other Planets: Even the Gods Have Gods (Full Version)

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A comprehensive review of scientific findings, published in prestigious scientific journals, is presented to explain how life from other planets evolved on Earth. These first Earthlings (archae, bacteria, and cyanobacteria) contained the genes and the genetic information for altering the environment, the “evolution” of multicellular eukaryotes, and the metamorphosis of all subsequent species.

These included exons, introns, transposable elements, informational and operational genes, RNA, ribozomes, mitochondria, and all the core genetic machinery for translating, expressing, and repeatedly duplicating genes and the entire genome. Prokaryotic genes were initially combined to fashion the first eukaryotes and/or were donated and transferred to unicellular then multicellular eukaryotes and then subsequently expressed in response to biologically engineered environmental influences, often in busts of explosive evolutionary change, as typified by the Cambrian Explosion.

Genes biologically alter the environment such as via the secretion of waste products, e.g. methane, oxygen, calcium carbonate, sulphides, ferrous iron, etc., which acts on gene expression. However, these genes and life on Earth did not randomly evolve. Evolution is metamorphosis. These genes were inherited from ancestral species who acquired these genes and these genetic instructions from living creatures that long ago lived on other planets. More at www.brainmind.com

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Hollywood and the Pentagon: A Dangerous Liaison (Full Version), 5.0 out of 5 based on 1 rating
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Hollywood and the Pentagon: A Dangerous Liaison (Full Version)

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The American Army’s intrusion in Hollywood war films may surprise some. In fact, the U.S. Army secret services have had close ties with American filmmakers for several decades. The movie Top Gun, for instance, was filmed with the support and approval of the U.S. Army. There is even a special bureau, the Film Liaison Office, that oversees these issues for the Pentagon and the Capitol. It has a clear mission: studying the scripts of American war movies, deciding whether to offer them support or not, depending on their interest for the country’s military leaders.

Scripts are cut and sometimes watered down. Characters are changed and historical truth, sometimes fudged. One director might be loaned combat jets and ships, and all their equipment, enabling him to shoot the scenes written by his scriptwriters. Another director, whose script displeases the army, may be refused any kind of support. That was the case for the film Platoon, deemed overly critical of the Vietnam War. It is then up to the producers to look for shooting locations and equipment outside the United States. Often, at considerable cost.

In his Pentagon office, the head of the Film Liaison Office makes no secret of his goals. He wants to encourage films which flatter the U.S. Army, win support for its actions on the battle field, and encourage more soldiers to sign up. In short: pure propaganda. Few great war films have escaped the influence, or even the censure, of the U.S. Army. From www.cbc.ca

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